Rumors of Grace
God-Language in Hemingway and Mailer
Keywords:
Ernest Hemingway, religion and literature, God-language in fiction, modernism, grace and transcendence, existentialismAbstract
In both Ernest Hemingway and Norman Mailer, their rhetoric announces a beginning, a new Genesis. But, unlike the biblical Genesis, there is an absence of God, providence, a rational universe. But how does the residual God-language in Hemingway and Mailer actually work? Is grace—a crucial Judeo-Christian reality—to be replaced by nada, signaled in Hemingway’s “A Clean Well-Lighted Place”? Or, in an absurd post-human world, does narrative “make sense of life.” Is God-language part of the rhetoric of modernity—or its antithesis? Paradoxically, both may be true.
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Published
2026-03-25
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