“Audiences Are Composed of Sentimental Necrophiles”

Notes on Norman Mailer’s The Deer Park: A Play

Authors

  • Kevin Power Trinity College Dublin Author

Keywords:

The Deer Park, The Deer Park: A Play, drama, theater, adaptation

Abstract

The Deer Park: A Play is Norman Mailer’s only full-length work for the stage. Adapted from Mailer’s third novel (published in 1955), The Deer Park: A Play has received little critical attention from Mailer scholars. Originally staged Off Broadway in 1967, the play received, according to one of Mailer’s biographers, “mixed to negative” reviews, and has rarely been revived. Mailer himself, however, regarded the play as a significant work, and it rewards study. This article discusses the development of The Deer Park: A Play over ten years, before summarising contemporary and subsequent critical engagements with the play. The subsequent section reads the play alongside its source novel to argue that both texts offer a savage critique of the “homogenisation” of mid-century American society. The article goes on to discuss the various paratexts that Mailer appended to the published playscript, reading them in tandem with the play’s critique of American society. The article then notes crucial tonal and narrative differences between novel and play. Jasna Potoc˚nik Topler Norman Mailer: Reporter, Travel Writer, Critic and “Provocateur-in-Chief ” Norman Mailer had a profound impact, not only on American and world literature, but he also had a role in American politics, and, wider, in intercultural dialogues and academic discourses, including translation and travel writing studies. Many of the themes he wrote about are still relevant today; some are, such as freedom, democracy, and critical debate, eternal. Despite his very strong criticism, Mailer shows hope and faith in his country. He was not only a writer, reporter, and “provocateur-in-chief ”, he was one of the most popular public intellectuals and a literary genius, whose works had legacy power far beyond the scope of literature. With Mailer, considering the themes of his works, the diverse audiences across the globe were familiarized with American culture in the broadest sense, and they also gained the opportunity to mirror their own values, way and quality of living, education system, political system, justice system, question their political and economic system, as well as get a grasp of diversity. All this also matters when Mailer’s literary heritage is evaluated as a tourism resource, which is another aspect of Mailer’s place in the world literature.

Author Biography

  • Kevin Power, Trinity College Dublin

    Kevin Power is Assistant Professor of Literary Practice in the School of English, Trinity College Dublin. He received his PhD in American literature from University College Dublin in 2013. His novel Bad Day in Blackrock (2008) was filmed in 2012 as What Richard Did, directed by Lenny Abrahamson. He has written for The New Yorker, The Guardian, The Irish Times, Irish Independent, The Dublin Review, Literary Review, Los Angeles Review of Books, Irish Journal of American Studies, The Dublin Review of Books, and The Mailer Review, among other publications. He is the winner of the 2009 Rooney Prize for Irish Literature. His new novel, White City, will be published by Scribner UK in April 2021.

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Published

2020-10-15

Issue

Section

Articles

How to Cite

Power, Kevin. “‘Audiences Are Composed of Sentimental Necrophiles’: Notes on Norman Mailer’s The Deer Park: A Play”. The Mailer Review, vol. 14, no. 1, Oct. 2020, pp. 188–203, https://mailerreview.org/journal/article/view/729.